Wilderness canoe
tripping is also my passion. I am drawn to the north and am stirred
by its remoteness. The beauty of the land, trees, rocks and water
and also the vulnerability one faces inspire me. One must rely
on the environment in a way not normally encountered in modern
society. This reflects the uncertainty of the raku firing process
as well as the inherent properties of clay. This medium demands
that the ceramicist adjust his or her methods in order to succeed.
For my high-fired pieces I am intrigued with the bowl form, which
offers endless possibilities. Some of my bowls, which fire to
a brilliant golden yellow, are decorated with clay that I found
while canoeing northern rivers. For the past three years, my cone
10 work has been fired in a gas kiln. It is very exciting to experiment
with a multitude of glaze and firing possibilities. Lately I have
been making very large altered wall pieces and am exploring the
use of multiple layers of glazes, slips, oxides and glass applied
in a random way.
As an emerging artist, opportunities that allow me to explore
new ideas and develop my skills as a professional artist are of
utmost importance to my further development. I enjoy applying
my skills as a craft-person, but the greatest rewards come from
being able to incorporate artistic expression in my work. I am
very lucky to be able to pursue my passion and I am seduced by
the future possibilities.
Carol Grant |